A pickpocket keeps running into inconvenience when he disturbs the training mafia
The experience of watching Achamindri is like what most instructors must feel while rectifying the answer sheet of a not well arranged understudy. The understudy (chief Rajapandi) needs to answer a major six-stamp address, however he just knows enough to get a check or two. So he continues all that he knows for the last section and fills reams of paper with inconsequential characters, melodies, battles, and saints until then.
It’s humorous on the grounds that the film itself talks about the shades of malice of a free enterprise instruction framework and how it torments understudies to create comes about. In any case, this isn’t something we see actually as the film advances. One needs to sit through about two hours to comprehend why a policeman (Samuthirakani) and a pickpocket (Vijay Vasanth) are being pursued by effective goons. All things being equal, everything is only advised to us… nothing is felt. On the off chance that discoursed are the main device available to you to propel your story then you’re simply composing talks, not a screenplay.
It would have been exceptional if the executive had left this question unanswered.